Sports Illustrated (September 20, 1965)

In spite of the vast number of faces available, advertisers in this popular men’s magazine rely on relatively few types.

In a man’s magazine, the advertisers favored roman types over sans-serifs in both display and text composition. For display, out of 59 full-page ads, 14 romans were called upon in 32 advertisements, with 9 sans-serifs selected for 17 ads. For body type requirements, there were 13 roman faces in 35 ads and 6 sans-serifs in 21 ads. Just a scattering of other styles were used beyond these two categories, giving less variety than one might expect.

Typesetters’ specimen books are crammed with types, but the advertisers seem to rely on but a few to carry the big message. This apparent reluctance to try something new makes life difficult for the hanging committees of the various art directors’ shows looking for fresh new typographic approaches. Certainly no trend is making itself visible, and the crystal ball doesn’t seem to forecast any changes in the immediate future.

Display Types

CLASSIFICATIONTYPEFACECOUNT
OldstyleBookman1
OldstyleCaslon5
OldstyleGaramond2
OldstyleGoudy Oldstyle3
OldstyleWeiss1
TransitionalBaskerville1
TransitionalCentury3
TransitionalCentury Expanded1
TransitionalCheltenham2
TransitionalMelior2
TransitionalTimes Roman5
ModernBodoni2
ModernHand or Photolettering3
ModernTorino1
Sans SerifFutura2
Sans SerifHand or Photolettering3
Sans SerifOptima1
Sans Serif (Gothic)Folio1
Sans Serif (Gothic)Franklin Gothic4
Sans Serif (Gothic)Helvetica1
Sans Serif (Gothic)News Gothic1
Sans Serif (Gothic)Standard2
Sans Serif (Gothic)Univers2
Square SerifClarendon1
Square SerifFortune1
Square SerifHand or Photolettering2
DecorativeCooper Black3
DecorativeFutura Black1
DecorativeHand or Photolettering3

Text Types


CLASSIFICATIONTYPEFACECOUNT
OldstyleBookman2
OldstyleCaslon1
OldstyleGaramond3
OldstyleGoudy Oldstyle4
TransitionalBaskerville2
TransitionalCaledonia1
TransitionalCentury1
TransitionalCheltenham2
TransitionalCentury Expanded6
TransitionalMelior2
TransitionalTimes Roman7
ModernBodoni3
ModernTorino1
Sans SerifFutura3
Sans Serif (Gothic)Folio1
Sans Serif (Gothic)Helvetica1
Sans Serif (Gothic)News Gothic9
Sans Serif (Gothic)Standard2
Sans Serif (Gothic)Univers5
Square SerifClarendon1
ScriptHand or Photolettering1

This article first appeared in the “Typographic Scoreboard” column of the December 1965 issue of The Inland Printer.

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